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 Jazz 2 Rock
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Into the Rhythm
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2008: B.B. King Live |
Music » Blues |
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 Artist: BB King Album: BB King Live 2008 Release 2008 Label: Geffen Format, bitrate: MP3, 320kbps Time: 53:02 Size: 121 mb Repost with a new link from mr. Bubu Hans Recorded in the fall of 2006, shortly after B.B. King's 81st birthday, Live is really an abridged audio complement to a video release, containing 12 of the 19 tracks available on the DVD of the same title. King has made a lot of live albums in his time, but his approach hasn't changed much over the years. In addition to his obvious talents as a guitarist and showman, he has also been fortunate in that his chosen style of music, a version of the blues growing out of the swing-influenced jump blues of the 1940s, has not only remained perennially popular but grown in acceptance. As performed here by the B.B. King Blues Band, it is still essentially the same, a jazzy roadhouse music that leaves plenty of room for solos. At one time, most of those solos were played by King on his guitar, but now he is content to give the showcase to his horn players, as he does on "Blues Man," or organist James Toney, who claims the lion's share of "Rock Me Baby." There is still plenty of guitar work, however, and King remains seemingly as agile as ever. He is also a relaxed, comfortable frontman, engaging in easy banter with both band and audience. And he even seems at peace with the notion that the road can't go on forever. "Key to the Highway" has something of an elegiac tone, and it ends with a promise that for King seems to be no more than a simple statement of fact: "I'm gonna do this till I die, folks." ~ William Ruhlmann at All Music Guide |
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2010: George Benson – Classic Love Songs |
Music » Jazz » Vocal Jazz |
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 Artist: George Benson Album: Classic Love Songs Label: Rhino Year: 2010 Quality: 320 Kbps CBR Size: 174 MB The Classic Love songs features many of Benson’s best known songs in a pleasing, but not necessarily chronological order. All of the classics are on the album, such as opening tracks ‘Give me the Night’ and ‘Love X Love’ all showcasing Benson’s talent as one of the leading jazz/soul singers of his generation, whilst a lot of tracks also feature the Wes Montgomery/Grant Green styled playing that made his sound a staple of the smooth Jazz scene. ‘Breezin’ still sounds fresh, with its light melodic guitar motif and exemplary support cast.
This is not the first collection of Benson’s Ouvrere, and it won’t be his last, but for anyone who likes their singing soulful, and their guitar playing slick, this should be in your collection. ~ BEN MACNAIR |
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1950-1952: Benny Goodman Sextet |
Music » Jazz » Swing |
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 Artist: Benny Goodman Album: Benny Goodman Sextet Label: Columbia Years: 1950-1952,release:1987 Quality: MP3@320kb/s Size: 97,5 mb (sharebee) Total time: 45:47 REPOST by request In 1950, Benny Goodman formed a new sextet, and although he used a big band for some recordings, the small group was his main outlet for the next couple of years. This CD features this somewhat forgotten unit, a hot swing combo featuring vibraphonist Terry Gibbs and usually pianist Teddy Wilson. Rather than repeat his older hits, the clarinetist clearly enoyed playing other standards not generally associated with him. Excellent and enjoyable music. ~ Scott Yanow, All Music Guide |
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2007: Ian Parker - Where I Belong |
Music » Blues » Modern electric blues » Blues-Rock |
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 Artist: Ian Parker Album: Where I Belong Label: Ruf Records Year: 2007 Genre: Blues-rock Format MP3, bitrate: 320 kbps Time: 1:00:01 Size: 135 Mb For the last decade Ian has been on a journey of discovery, a journey which although far from over, has already provided the young artist with a vast array of experiences which have shaped his musical identity.
The recording of the 'project' album, 'Pilgrimage' in 2005, for which Parker was sent to the deep south of America with Ruf stable-mates Aynsley Lister and Erja Lyytinen, began a process of consolidation for the artist. During this monumental trip, he reconnected with his blues roots, and immediately felt at 'home' in the place where his first true musical love was born. On his return to Europe, Parker set about re-examining in great detail, the work of his blues and soul heroes. Assimilating the lessons learnt from his less bluesy influences, his task now was to bring all of these forces together, in order to truly find himself.
'Where I Belong' is the result of this lengthy artistic process. If he was ever in any doubt, Ian Parker certainly knows who he is now. Unquestionably, a relevant 21st century blues man, Ian is acutely aware of the heritage of his music, as is evident on the passionate 'Love So Cold'. Equally he is in tune with the music of the modern age, as is apparent in the eerie 'Don't Hold Back' and the tortured 'Told My Girl To Go Away', and is able to incorporate those ingredients into his own blues stew - an essential factor in the long term preservation of the genre. 'Until You Show Me', 'Sweet Singing Sirens', and 'Before Our Eyes' are perfect examples of this amalgamation of styles, and of Parker's unique approach to writing.
Recorded analogue to tape, the album has the rich and warm sonic characteristics associated with the pre-digital age, but there is nothing retro about this release. 'Where I Belong' has something for all blues fans, purists and progressives alike. It catalogues the pronounced growth and self-discovery of a contemporary blues artist who is here to stay. ~ Ruf Records |
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1983: Count Basie Kansas City Septem - Mostly Blues...And Some Others |
Swing, Basie Count |
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 Artist - Count Basie Album - Mostly Blues...And Some Others Label - Pablo Year - 1983, release 1986 Quality - MP3@320kbps Size: 95 mb Total time - 44:37 REPOST by request Count Basie's final small-group studio session (one of a countless number for Norman Granz during Basie's last decade), this outing features trumpeter Snooky Young (who was last with the orchestra in the early '60s), tenor great Eddie "Lockjaw" Davis and the dependable guitarist Joe Pass (along with rhythm guitarist Freddie Green). The repertoire lives up to the album's title: blues and swing standards all played with joy and spirit. ~ Scott Yanow, All Music Guide |
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1988: Al Jarreau – Heart's Horizon |
Music » Jazz » Vocal Jazz |
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 Artist: Al Jarreau Album: Heart's Horizon Label: Warner Bros / Wea Release date: November 15, 1988 Quality: mp3 320 kb/sec Total size: 103 Mb Repost with a new link from veronica Åùå îäèí àëüáîì èçâåñòíîãî Íîìèíàíòà ïðåìèé Ãðýììè çà "Ëó÷øèé äæàçîâûé âîêàë" (êñòàòè, ýòîò àëüáîì òîæå íîìèíèðîâàëñÿ â 1990 ãîäó). Ñîñòàâ ìóçûêàíòîâ – áåç êîììåíòàðèåâ. Ïîñâÿùàåòñÿ âñåì öåíèòåëÿì è çíàòîêàì è, ñàìè çíàåòå, êîìó åùå...  |
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2006: Coen Wolters Band - As The Crow Flies |
Music » Blues » Modern electric blues » Blues-Rock |
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 Artist: Coen Wolters Band Album: As The Crow Flies Label: Crying Tone Records Year: 2006 Format mp3, bitrate: 320 Time: 46:18 Size: 106 Since the release of the band's latest album "As The Crow Flies" (2006) everything changed for the band. Coen's long history of self released CD's and continual live performances, cumulating in the release of his debut "Broken Glass" (2005) CD on Cryingtone Records, established him as an up and coming blues singer with an original twist of his own. The "live band" sound of "as The Crow Flies", coupled with the tours at major festivals that following year, more than proved to a worldwide audience of rabid fans that Coen Wolters rocks, funks and plays the way he wants to play and leave the comparisions for this crowded genre up to others. It's hard to stand in the shadow of great guitarists, but CWB fans know that Coen's songwriting, music and performances are much more than a typical blues rock Experience. >>> |
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1945-1952: Don Byas - Moon Nocturne 4CD |
Swing, Mainstream |
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 Artist: Don Byas Album: Moon Nocturne 4CD Label: Membran Years: 1945-1952, release: 2005 Style: Jazz,swing,bop Quality: MP3@320 kbps Size: 120+116+121+110 mb (sharebee) Total time: 56:54+54:44+56:47+51:27 Ïðåâîñõîäíûå ñåññèè âûäàþùåãîñÿ òåíîð-ñàêñîôîíèñòà! An advanced swing stylist, Byas‘ playing looked toward bop. His decision to move to Europe probably ist the reason for him being underrated. This 4 CD set contains a lot of great tracks.
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1979: Pharoah Sanders - Journey to the One |
Music » Jazz » Modern Jazz » Avantgarde |
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 Artist: Pharoah Sanders Album: Journey to the One Year: 1979, release: 1980 Format: FLAC + MP3 (320) Size: 471 + 168 MB (inc. artwork) Label: Theresa Total time: 72:40 AMG Rating Formerly a Theresa double LP, this single CD contains all ten of Pharoah Sanders's performances from the sessions. As usual, Sanders shifts between spiritual peace and violent outbursts in his tenor solos. The backup group changes from track to track but often includes pianist John Hicks, bassist Ray Drummond and drummer Idris Muhammad. Sanders really recalls his former boss John Coltrane on "After the Rain" (taken as a duet with pianist Joe Bonner) and a romantic "Easy to Remember"; other highpoints include "You've Got to Have Freedom" (which has Bobby McFerrin as one of the background singers) and the exotic "Kazuko" on which Sanders is accompanied by kato, harmonium and wind chimes. ~ Scott Yanow, All Music Guide |
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2008: Duke Ellington Legacy - Thank You Uncle Edward |
Music » Jazz » Mainstream |
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 Artist: Duke Ellington Legacy Album: Thank You Uncle Edward Label: Renma Recordings Year: rel.Mar 18, 2008 Format:MP3 @ 320 Kb/s Time: 66:19 Size: 141, 8 Mb AMG rating:  To my friends in JBC! Please enjoy.
The Duke Ellington Legacy is a band procreated by tenor saxophonist Virginia Mayhew at the behest of guitarist Edward Kennedy Ellington II, son of Mercer Ellington and nephew of Duke Ellington. Though Ellington II takes a subsidiary role on this program of pure Ellingtonia, the direction of Mayhew and pianist/arranger Norman Simmons makes for a pleasurable listening experience, solidly based in precepts of the legendary bandleader, with faithful adaptations and a few modifications. Vocalist Nancy Reed, she of the Carmen McRae-styled singing, is the most noticeable variable, baritone saxophonist Joe Temperley from Ellington's bands lends legit authenticity, while trombonist Wycliffe Gordon injects a youthful enthusiasm. Mayhew is in the middle, directing, charting the course, and allowing herself plenty of space to liberally solo. Reed sings on a modified chart of "Perdido" with an outstanding trumpet solo from Mark McGowan, the classic ballads "Day Dream," "Come Sunday," and the well swung "Cotton Tail," with Reed and the horns both joining together for lots of fun on that tricky melody. Percussionist Sheila Easley and Reed join the band for the Latinized "Caravan" and the mambo infused "In a Sentimental Mood," with a modal Simmons buoying the band. The pianist really receives his spotlight feature on the leisurely pace of "Isfahan" with the horns returning the favor as underpinning. Ellington II's only guitar lead shows up on "Moon Mist," and it's a beaut, as are the contributions of Temperley, most relevant on the subdued "Sentimental Mood" and the melody of "Moon Mist." Mayhew is never dominant, save the exceptional, roaring, driving hard bop unison horn line of "The Tickler," her composition, one that fairly jumps out of the speakers, and the lone non-Ellington track. As a collective effort, this is a recording unmistakably played with dignity, pride, respect, and a high degree of musicality. It comes recommended to all classic and mainstream jazz devotees. ~ by Michael G. Nastos, AMG.
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1978: Marian McPartland's Piano Jazz With Guest Bill Evans |
Music |
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 Artist: Marian McPartland & Bill Evans Album: Marian McPartland's Piano Jazz With Guest Bill Evans Label: Jazz Alliance Year: Nov 6, 1978; release: 2002 Genre: Mainstream Jazz Format mp3, bitrate: 320 kb/s Time: 57:33 Size: 132 Mb AMG Rating:  This is one of the finest of all the Marian McPartland Piano Jazz radio shows. Bill Evans (less than two years before his death) not only plays in prime form and talks a little about his career but explains to McPartland in detail his approach to playing piano. One gets to know not only Bill Evans the musician but the man, too. Musically Evans performs a brief "Waltz for Debbie," "All of You," and "Reflections in D"; McPartland plays "While We're Young"; and they duet on five numbers, including "In Your Own Sweet Way," "Days of Wine and Roses," and "I Love You." This is a special show well worth hearing several times. - Scott Yanow at All Music Guide- |
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2009: Eddie Higgins Quintet - The Handful Of Stars |
Music » Jazz |
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 Artist: Eddie Higgins Quintet featuring Scott Hamilton & Ken Peplowski Album: The Handful Of Stars Label: Venus Records Year: 2009 Format, bitrate: FLAC Size: 420 MB Repost with a new links Arguably the biggest star in the Venus Records roster, pianist Eddie Higgins has released numerous trio recordings from the label. He also has an on-going collaboration with veteran tenor saxophonist Scott Hamilton, beginning with the 2001 quartet album Smoke Gets In Your Eyes and continuing with My Foolish Heart and My Funny Valentine, all of which, by the way, were designated as Swing Journal Gold Disc. Wonderful clarinetist and tenorist Ken Peplowski joined this union to make it a quintet, on It's Magic, which won the Swing Journal 2007 Best Compilation Award. Now, the golden quintet returns with their latest, A Handful of Stars. The three giants, assisted ably by Jay Leonhart and Joe Ascione, create beautiful and romantic music in a relaxed mood. They are not breaking any new ground here, but their masterful tastes, gentle swing and warm interactions are as lovely and comfortable as a fireplace in the middle of winter. Enthusiastically recommended! Swing Journal Gold Disc. |
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1972: Jeanne Lee - Natural Affinities |
Music » Jazz » Vocal Jazz |
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 Artist: Jeanne Lee (featuring Dave Holland, Amina Claudine Myers, Wadada Leo Smith) Album: Natural Affinities Label: Owl / Sunny Side Year: 1972; release: 2003 Genre: Modern Jazz, Avantgarde Format, bitrate: FLAC Time: 59:23 Size: ~320 MB incl. 3 % recovery (3 files) AMG rating Jeanne Lee was always an unusual singer, one of the most adventurous to emerge out of the 1960s in jazz. Listening to this 1992 recording, one hears many moments that sound a bit like Cassandra Wilson would a decade later. Lee has a warm but dark voice, often floating as part of the ensemble rather than dominating the music, although in reality she is the dominating force. During this set, although there are conventional moments (particularly a straightforward "I Thought About You" and parts of the closing number, which is Brazilian-oriented), much of the haunting music is quite atmospheric and beyond any specific style. "Mingus Meditations" has Lee at a couple points reciting the words of Charles Mingus from his semi-fictional memoirs, "Peace Chorale" and "Free Space" are not too conventional, and in some spots Lee gives prominent roles (even during her vocals) to bassist Dave Holland, trumpeter Leo Smith, and altoist Mark Whitecage. The overall results are intriguing and will take several listens to fully appreciate. ~ Scott Yanow, All Music Guide |
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1954: Count Basie - Class of '54 |
Music |
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 Artist: Count Basie Album: Class of '54 Label: Black Lion Year: Sep 2-7, 1954; release: 1989 Genre: Jazz Format mp3, bitrate: 320 kb/s Time: 59:56 Size: 137 Mb This fine CD consists of two radio airchecks from 1954, featuring Count Basie with a nonet and his full orchestra. The smaller group also has trumpeter Joe Newman, trombonist Henry Coker and the tenors of Frank Wess and Frank Foster well-featured while the big-band tracks (which mostly sport Neal Hefti arrangements) finds the orchestra on the brink of great success. - Scott Yanow at All Music Guide |
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