Artist: Petra Magoni & Ferruccio Spinetti
   Album: Musica Nuda 2
   Label: Bonsai
   Year: 2006
   Format, bitrate: mp3, 320kb/s
   Size: 211MB

    On the first cd 16 tracks just voice and doublebass ,in the second 11 tracks featuring many great musicians guests as Stefano Bollani, Nicola Stilo, Erik Truffaz and many others.
    Petra and Ferruccio won the Targa Tenco (a very important italian prize) as best interpreter of 2006 and the Italian Award for Indipendent Music as Best Tour 2006.

    Artist: WDR Big Band
    Album: Blues & Beyond
    Year: 2008
    Label: BHM
    Format, bitrate: MP3@320 kb/s
    Time: 01:10:04
    Size: 160 MB(+5% recovery)

   Artist: Wes Montgomery
   Album: Twisted Blues
   Year: 1965
   Release: 2008
   Format: DVD
   Label: Salt Peanuts
   Time: 43:30
   Size: 1,56 Gb

REPOST with additional links from Mr. borisov_sa

   This title presents eight different songs, culled from two different 1965 performances, by a band fronted by guitarist Wes Montgomery. Among the songs presented are "Around Midnight," "Full House," "Here's That Rainy Day," and "The Girl Next Door."
   ~ Perry Seibert, All Movie Guide

    Artist: Buddy Guy
    Album: Blues Alive
    Label: The Swinging Pig Records
    Year: 1992
    Format, bitrate: mp3, 320 kb/s
    Time: 59:10
    Size: 137 Mb (covers)
    Bubu's Rating: *****

   A very beautiful bootleg that surpasses all official Guy's live recordings both by musical quality and choice of playlist (most of the tracks are blues alltime classics) . This totally flamboyant concert taken from The 92 Montreux Festival, Switzerland July 9th, 1992, Casino, shows Buddy Guy in full power and perfect mood. No unnecessary tricks no long tiring solos (and no acoustics and squeaking brass instruments too) just the perfect mighty hardblues in it's all beauty. A wonderful concert for all Guy's fans and blues lovers.

    Artist: Peach
    Album: Real Thing
    Label: Blues Rock Records
    Year: 2004
    Format, bitrate: mp3, 256 kb/s
    Time: 55:55
    Size: 97,4 Mb (full covers)

   Peach has found her true home in contemporary blues after developing her musical skills in a variety of genres ranging from classical vocals to jazz. From her roots in Indiana, through college in Colorado and the jazz club scene in San Francisco, she has honed her abilities and accumulated experiences that bring a remarkable relevance to her performing and writing. Winner of the prestigious Los Angeles Music Awards Blues Artist of the Year Award in 2001 and their 2002 Award of Excellence, Peach currently leads a band based in Los Angeles which includes celebrated professionals who share her vision. Award-winning singer/songwriter/guitarist Peach and producer Marty Grebb selected soulful songs with a strong and hopeful message for this, her third recording. They assembled an extraordinary band which included legendary performers such as Taj Mahal, Garth Hudson (The Band), Rick Vito (Fleetwood Mac) and Paul Barrere (Little Feat) as well as contemporary superstars like Mindy Abair. The performances skillfully integrate their emphasis on contemporary blues with sophisticated jazz influences and some high energy from classic rock.
   - Amazon.com

   Artist: Tete Montoliu
   Album: A Spanish Treasure
   Label: Concord CCD-4493
   Year: 1992
   Format, bitrate: FLAC & MP3@320
   Size: 299 MB & 135 MB
   Time: 60:01
   AMG Rating:

   Tete Montoliu has long been one of the most talented pianists in jazz but, because he lives in Spain, he tends to be overlooked. A fine bop-based stylist, Montoliu generally offers few surprises to listeners but always swings. This CD is a typical outing for the pianist, featuring ten jazz standards, fine backup work by bassist Rufus Reid and drummer Akira Tana, and enjoyable improvisations from the virtuosic leader. Most of the performances are fairly concise, falling into the three- to seven-minute range except for a lengthy exploration of "What's New." Highlights include creative versions of the rarely played "Israel and "Tricotism," "Like Someone in Love" (which is taken as a jazz waltz) and a treatment of "All of You" that finds the 58-year old Montoliu sounding a bit like Chick Corea.
   ~ Scott Yanow, All Music Guide

    Artist: Various Artists
    Album: Jazz At The Santa Monica Civic '72 (3 LP)
    Label: Pabblo Records
    Year: 1972
    Format, bitrate: mp3, 320 kb/s
    Time: 41:17 + 47:40 + 1:05:36
    Size: 94,6 + 109 + 150 + 14,7 (covers)
   

          EVERY DAY IS AN OSCAR PETERSON DAY!

   The Pablo label (and Norman Granz's return as a full-time producer) was launched with this wonderful package, first released as a three-LP set and now available as a three-CD reissue. The 1972 concert was originally supposed to only feature the Count Basie Orchestra and Ella Fitzgerald but Granz surprised everyone by inviting some "guests": trumpeters Roy Eldridge and Harry "Sweets" Edison, the tenors of Stan Getz and Eddie "Lockjaw" Davis, pianist Oscar Peterson and bassist Ray Brown. Together with Basie-trombonist Al Grey they formed the Jazz at the Philharmonic All-Stars and play wonderfully on three jams (listen to Elridge's break on "In a Mellow Tone") and a ballad medley. In addition there are four selections from Basie's band (featuring the tenor of Jimmy Forrest, trumpeter Pete Minger and altoist Curtis Peagler), a full set from Fitzgerald and a Peterson-Brown duet on "You Are My Sunshine." The highpoint of the concert however is the final song, a classic version of "C Jam Blues" which finds Fitzgerald trading off in very humorous fashion with Grey, Getz, Sweets, Lockjaw and Eldridge; each of the encounters has at least one remarkable moment. This gem is highly recommended.    
    ~ Scott Yanow, AMG

     Artist: James Carter
     Album: Chasin' The Gypsy
     Label: Atlantic
     Format: WAVPACK, CUE
     Release: 2000
     Size: 342 MB


     For Chasin' the Gypsy, James Carter enlists violinist (and cousin) Regina Carter, drummer Joey Baron, guitar mainstay Jay Berliner, and several others to tackle this homage to Gypsy guitar virtuoso Django Reinhardt. The bustle and muscle are in balance, with accordion, steel-string guitar, bass saxophone, violin, and drums flawlessly chugging through these nine tunes. --Andrew Bartlett

Reinhardt's melodic savvy, jubilant swing and wit are not lost on James Carter, who booms into the opener "Nuages" blowing the tune's head on a body-rattling bass sax--the initial surprise of hearing this uncommon instrument played with such effortless warmth is enough to coax a smile. Moving easily between tenor, soprano and f mezzo horn, Carter conjures many emotional moods; from the haunted, vibrato-soaked heartbreak of "La Derniere Bergere" to the carnivalesque accordion and sly musical smirk of "Manoir De Mes Reves." James Carter has certainly been CHASIN' THE GYPSY--sounds like he might have caught her, too.

     Artists: Sarah, Hannah, Leah Peasall and others
     Album: O Brother, Where Art Thou?
     Year: 2000
     Label: Mercury
     Format, bitrate: MP3, 320
     Size: 138 mb


     Я хочу представить вам свой самый любимый саунтрек к музыкальному фильму.
     Лучшие работы кантри и блюза на мой взгляд,

     This soundtrack is a powerful tribute not only to the time-honored but commercially ignored genres of bluegrass and mountain music

   Artist: Arnett Cobb
   Album: Movin' Right Along
   Year: 1960
   Label: OJC/Prestige
   Format, bitrate: MP3@320 kb/s
   Time: 38:42
   Size: 90,49 MB(+5% recovery)
   AMG Rating:

   From the opening notes of "Nitty Gritty," Movin' Right Along is a warm, stimulating set. Recorded in two days in February 1960, the album finds Arnett Cobb and a few friends playing an energetic, straight-ahead set. The only oddity is the presence of Buck Clarke's congas, which manage to add an extra layer of rhythm, even though there isn't a Latin tune in sight. There's a good mix between ballads like "(I Don't Stand) A Ghost of a Chance (With You)" and up-tempo pieces like "Exactly Like You." Cobb's expressive playing stands out most clearly on slower pieces like "Softly, As in a Morning Sunrise," allowing plenty of room for him to breathe life into each note. The odd piece out is "Fast Ride," the lone tune to include pianist Tommy Flanagan and conga player Danny Barrajanos. This upbeat piece leans toward hard bop and, as Joe Goldberg points out in the liner notes, recalls "Lester Leaps In." Today, many would call Movin' Right Along "mainstream jazz," though the term doesn't quite do justice to Cobb's soulful tenor work. For those who remember Cobb's work from the 1940s through the 1980s, the value of this reissue will be obvious. For everyone else, Movin' Right Along will serve as a fine introduction.
   ~ Ronnie D. Lankford Jr., AMG