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For Administration
Jazz Blues Club » Articles for 16.05.2009
Joya Sherrill Sings Duke Music » Jazz » Vocal Jazz
Joya Sherrill Sings DukeArtist - Joya Sherrill
Album: Joya Sherrill Sings Duke
Label: Verve
Year: 1965
Quality: MP3@320
Size: 74,6 mb
Total time: 33:37
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Jazz vocalist Joya Sherrill was one of Duke Ellington's favorite vocalists. Not only did he praise her clear diction and articulation, Ellington worked with Sherrill throughout the '40s. In turn, Sherrill worked with Ellington alumni like Rex Stewart and Ray Nance into the '60s, and albums like 1965's Sings Duke reunited her with Ellington's songs and players.

One of the best singers who toured with Duke Ellington, she seemed to be a natural choice for a feature album, only this release was produced by Mercer Ellington with a number of Ellington veterans in the supporting cast and Billy Strayhorn at the piano. Sherrill's confidence singing the twelve gems from the band repertoire allows her to let the timelessness of the music and lyrics speak for itself rather than overembelish the songs. Her superb diction and warm sound are complemented by brief accents by alto saxophonist Johnny Hodges on "Prelude To A Kiss," the muted cornet of Ray Nance on a sassy "I'm Beginning To See The Night," and Nance's violin on her moving take of "Day Dream." This rare outing away from the full band, now available on CD, is worth acquiring.
~ Ken Dryden, All Music Guide
Nikolai Minh Jazz Orchestra Music » Old Gramophone
Nikolai Minh Jazz OrchestraArtist: Nikolai Minh
Album: Nikolai Minh Jazz Orchestra / - /
Label: " " 60-38617-18
Year: 1940's
Format, bitrate: MP3, 320 kbps
Size: 88 Mb
Time: 38:38



1939 , , , . 1200 . 40- .
Sidney Bechet - Les Oignons Music » Jazz » Traditional Jazz
Sidney Bechet - Les OignonsArtist: Sidney Bechet
Album: Les Oignons
Label: Milan Music
Year: 1923-1950
Release: 2005
Format, bitrate: m4a, 320kbps
Time: 36:02
Size: 48.9 mb



Along with his fellow New Orleanian, Louis Armstrong, Bechet was one of the first great soloists in jazz. His throaty, powerful clarinet and his throbbing soprano are among the most thrilling sounds in early jazz. He went from being a pioneer of jazz in the 1920s to a national hero in France, where he spent the final decade of his life. In his teens he made his name playing in some of New Orleans's up-and- coming bands, and he played there and in Chicago with King Oliver...
Dr. Lonnie Smith - Rise Up Music » Soul » Soul-Jazz
Dr. Lonnie Smith - Rise UpArtist: Dr. Lonnie Smith
Album: Rise Up
Label: Palmetto
Year: 2009
Format: MP3 VBR
Time: 60:08
Size: 60 Mb

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Who says you have to slow down as you get older? The honorable B-3 master, Dr. Lonnie Smith, has been on a renaissance tear since the beginning of the 21st century. Rise Up! is the fifth new recording since 2000, and there have been a number of reissues of his older work to boot. Given that some artists issue a record a year, this may not seem like such a terrific feat but appearances are deceiving. Smith recorded only 13 albums between 1966 and 1996, so five in nine years is actually prolific. It's not only the quantity, however, it's the consistency of the quality of the records Smith has been releasing that is outstanding, and Rise Up! is no exception.
Ever since 2000's Turbanator and 2003's Boogaloo to Beck: A Tribute, Smith has packed his records with covers and originals that accent the "soul" in the deep, wide tradition of soul-jazz. Sure, he's funky, he's got chops, grooves, and tricks, and he's surrounded himself with compelling musicians from Jimmy Ponder to David "Fathead" Newman to great effect. Since 2003 he's been working with guitarist and producer Matt Balitsaris and the results have been, and remain, electrifying. This set, with guitarist Peter Bernstein, saxophonist Donald Harrison, and drummer Herlin Riley with extra help on a couple of cuts from Balitsaris and percussionist James Shipp is one of his most realized, funky, and resonant dates yet. The set jumps off with Smith's original "Matterapat,"showcasing the smoking Latin percussion of Shipp and taut, off-kilter breaks from Riley, the front line is all knotty soul and blues. The theme is greasy and in the pocket; Harrison's solo moves effortlessly from post-bop to soul. The cover of the Beatles' "Come Together" that follows is even nastier, with Smith's below-the-basement vocal growl on the first verse all but indecipherable except as a snarling rap. It's another instrument in this band's arsenal. This is a slow bump and funky grind with a big payoff. "Pilgrimage" begins as a ballad but quickly asserts itself as a cooker thanks to Riley playing counterpoint breaks to Smith's B-3. Other covers that appear and are reinvented in Smith's musical vocabulary are the Eurythmics' "Sweet Dreams," which commences, seemingly, as an astral afterthought but finds a deep percussive bottom end and a spooky articulation of the melody that is all rhythm based. One can guarantee that the version of "People Make the World Go 'Round" found here is unlike any other that exists. It's the longest cut on the set and builds itself right from a lithe, breezy funk groove with a poppin' set of rimshot breakbeats from Riley. Harrison is the perfect foil for Smith because of his lyric sensibility; it is the perfect counter to the percussive groove quotient of Smith. The solos here are wonderfully complex and sophisticated and the use of harmonic extension in the ensemble's reading is pure magic. The set ends on an atmospheric blues tip with Smith's "Voodoo Doll," where Harrison's alto plays it straight out of the noir-ish dark and into the shadows where traces of light emerge. Smith's comping and eventually structural form for the tune transforms it into a swirling, shimmering heat with Bernstein's guitar erecting a pulsing bridge for Riley. It's a killer way to end a record. For B-3 fans, Rise Up! is nothing but solid in terms of tunes, arrangements, and heat.

~ Thom Jurek, AMG
Stefano Di Battista - Trouble Shootin' Music » Jazz » BeBop » Post-bop
Stefano Di Battista - Trouble Shootin'Artist: Stefano Di Battista
Album: Trouble Shootin'
Label: Blue Note
Year: 2007
Format, bitrate: MP3@320
Time: 56 Min



Italian saxophonist Stefano di Battista has released a trio of albums as a leader, two of which were never issued in the U.S. The third, a U.S. release in 2000 from Blue Note, is self-titled and mainly features di Battista's own compositions. In addition, it includes "Song for Flavia" by Rosario Bonaccorso and a pair of songs by Jacky Terrasson, "Chicago 1987" and "Little Red Ribbon." Both bassist Bonaccorso and pianist Terrasson appear on the album, accompanied by former Coltrane drummer Elvin Jones and trumpeter Flavio Boltro.
Di Battista, a native of Rome who plays both soprano and alto saxophone, took up the instrument when he was 13 to play with some friends from his neighborhood.

~ Linda Seida, AMG
Steve Khan - Lets Call This Music » Jazz » BeBop » Post-bop
Steve Khan -  Lets Call ThisArtist: Steve Khan
Album: Lets Call This
Label: Blue Moon
Year: 1991
Format: m4a
Time: 1:01:33
Size: 384 Mb (covers)
AMG Rating: Steve Khan -  Lets Call This





Best-known for his fusion recordings, Steve Khan (ten years after recording the purely acoustic solo date Evidence) stretches out on this pure jazz date. Accompanied by bassist Ron Carter and drummer Al Foster, Khan explores a variety of superior jazz standards (including songs by Thelonious Monk, Wayne Shorter, Larry Young, Freddie Hubbard and Lee Morgan) along with his own "Buddy System." This is one of Steve Khan's finest recordings to date and is highly recommended to those listeners not familiar with this side of his musical personality.

~ Scott Yanow, AMG
Pamela Williams - Elixir Music » Jazz » Fusion » Smooth & Lounge
Pamela Williams - ElixirArtist: Pamela Williams
Album: Elixir
Label: Shanachie
Year: 2006
Format, bitrate: MP3@320
Time: 40:49
Size: 45.5Mb
AMG Rating: Pamela Williams - Elixir


While her more publicized blonde counterparts Candy Dulfer and Mindi Abair have probably gotten more thunder from the smooth jazz world and beyond, the Philly bred saxophonist has slowly emerged as a champion of a silky yet grooving, modern yet retro style best dubbed "smooth urban jazz." While Pamela Williams has been a hit from the get-go -- her 1996 recording debut Saxtress earned the first of numerous accolades from the R&B world -- there's no question her last two Shanachie discs have shown her at her inviting, infectious best. She made a brilliant choice on Elixir to work with keyboardist and fellow saxman David Mann, whose texturing and irresistible Philly soul ambience inspires Williams to work wonders with the punchy first single "Positive Vibe," the sexy and swaying opening track "Forbidden Fruit," and the romantic and inspirational "A Toast to Eternity." Williams herself emerges as a solid writer/producer as well, crafting, among others, the sensual and laid-back title track, the buoyant, old-school slow funk jam "In the Cut," and the passionate but low-key ballad "Rejuvination." She also pays homage to Al Jarreau with a simmering, slightly brooding cover of "Give Me What You Got." Williams has long claimed Grover Washington, Jr. as her main inspiration, and his cool balance of edgy funk and rich seduction has come to define Williams' emergence as a smooth jazz heavy hitter. He was proud of her when he was alive and he's no doubt beaming wherever he is now.
~ Jonathan Widran , AMG
Maynard Ferguson - The Birdland Dream Band Music » Jazz » Swing
Maynard Ferguson - The Birdland Dream Band Artist: Maynard Ferguson
Album: The Birdland Dream Band
Label: RCA
Year: 1956
Format, bitrate: MP3, 320 Kbps
Time: 71;23
Size: 134 MB
AMG Rating: Maynard Ferguson - The Birdland Dream Band




In 1956 Maynard Ferguson had the opportunity to put together a "dream band." Fortunately (in addition to a tour), the orchestra cut a pair of albums, most of which is included on this single CD. With arrangements from Al Cohn, Bob Brookmeyer, Jimmy Giuffre, Ernie Wilkins, Bill Holman, Marty Paich, Willie Maiden, Johnny Mandel, and Herb Geller, it is not too surprising that these charts sound both modern and quite exciting. In addition to Ferguson's high-note trumpet work, the main soloists are trombonist Jimmy Cleveland, altoist Herb Geller, and Al Cohn on tenor. Overall, this music serves a particularly strong start to Maynard Ferguson's career as a major bandleader.
~ Scott Yanow, All Music Guide
Oscar Peterson - Autour de Minuit Music » Jazz » Mainstream
Oscar Peterson - Autour de MinuitArtist: Oscar Peterson
Album: Autour de Minuit (compilation)
Label: Verve/Gitanes Jazz
Release: 1990
Format bitrate: Mp3, 320 kb/s
Time: 50:34
Size: 134 Mb



Although the title, this mellow, soft playing and lyrical compilation of the French label Gitanes doesn't contain 'round Midnight. Nevertheless it is a beautiful one, recommended to all Oscars's fans and jazz lovers generally.
Eddie Jefferson - Body And Soul Music » Jazz » Vocal Jazz
Eddie Jefferson - Body And SoulArtist: Eddie Jefferson
Album: Body And Soul
Label: Prestige/OJC
Year: 1968
Release: 1991
Format, bitrate: MP3, 192 kbps
Time: 35:21
Size: 50Mb
AMG Rating: Eddie Jefferson - Body And Soul



Eddie Jefferson had not been on record in quite a few years when he recorded this excellent set (reissued on CD) for Prestige. A few of the songs ("Mercy, Mercy, Mercy," "Psychedelic Sally" and "See If You Can Git to That") were attempts to update the singer's style in the mod idiom of the late '60s but the most memorable selections are "So What" (on which Jefferson recreates Miles Davis's famous solo), "Body and Soul", "Now's the Time," "Oh Gee" and "Filthy McNasty"; the latter has very effective lyrics by writer Ira Gitler. Tenorman James Moody, trumpeter Dave Burns and pianist Barry Harris are in the supporting cast of this excellent set.
~ Scott Yanow, AMG
Pat Martino - Think Tank Music » Jazz » Modern Jazz
Pat Martino - Think TankArtist: Pat Martino
Album: Think Tank
Label: Blue Note
Year: 2003
Format, bitrate: mp3, 320 kbs
Time: 69:53
Size: 158 MB


THINK TANK was nominated for the 2004 Grammy Award for Best Jazz Instrumental Album. "Africa" was nominated for Best Jazz Instrumental Solo.

Guitarist Pat Martino has tempered his serpentine, machine-gun improvisational style over the years into a soft-focus graph-paper approach that lies somewhere between Pat Metheny and Bill Frisell. His playing, at once mathematically dense and puritanical in its economy, can impress with long bursts of harmonic complexity and stylistic flourishes that cross rockabilly-esque chicken scratch with ECM-style repetition. Unfortunately, for all his harmonic panache, Martino never really commands the swing on the cerebral, blues-tinged, and ultimately disappointing Think Tank. Similar to his bandmate here, tenor saxophonist Joe Lovano, Martino floats over the rhythm section, dancing around the groove but never coupling with it. The result leaves drummer Lewis Nash flailing ineffectually as if to fill up space. Worse, bassist Christian McBride, largely renowned for his muscular and swinging approach, simply coasts along, his acoustic double bass over-miked into a slack drone. That said, the title track is an intriguing scientific theorem of a tune that Martino built out of the letters in John Coltrane's name. Even more engaging is the ballad "Sun on My Hands," in which pianist Gonzalo Rubalcaba and Martino delicately play off each other in a kind of plaintive call and response that brings to mind Martino's dusky, reflective 1976 album We'll Be Together Again. Think Tank isn't a bad album; it just contains a few too many ideas that probably sounded better in theory than they do in practice.
~ Matt Collar, AMG
Steve Lacy - Trickles Music » Jazz » BeBop » Post-bop
Steve Lacy - TricklesArtist:Steve Lacy
Album: Trickles
Label: Black Saint
Year: 1976
Release: 1993
Format, bitrate: mp3, 256 kb/s vbr
Time: 40:22
Size: 56,3 Mb
AMG Rating: Steve Lacy - Trickles



One of the early Black Saint albums, this set features a reunion between soprano saxophonist Steve Lacy and trombonist Roswell Rudd; bassist Ken Carter and drummer Beaver Harris complete the quartet. Although Lacy and Rudd had had a group 15 years earlier that exclusively played Thelonious Monk tunes, in this case they perform five of Lacy's diverse originals, stretching themselves on such tunes as "Trickles" and "Robes." The music is less melodic than expected but does have its moments of interest.
~ Scott Yanow, AMG
1953: Clifford Brown Memorial Album Hard-bop, Brown Clifford
1953: Clifford Brown Memorial Album
Artist: Clifford Brown
Album: Memorial Album
Label: Blue Note
Year: 1953, release - 1989
Format: FLAC
Size:(95.78 x 4)+93.80MB
Total time: 71:31

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, 26 . , - . !

Like swing guitarist Charlie Christian, Clifford Brown was incredibly influential for someone who died so young. The Fats Navarro-minded trumpeter was only 25 when a car accident claimed his life in 1956, but his influence remained long after his death -- Freddie Hubbard, Lee Morgan, Woody Shaw, Donald Byrd, and Carmell Jones were among the many trumpet titans who were heavily influenced by Brown. In the early to mid-'50s, Brown kept getting more and more exciting; those who found him impressive in 1952 found even more reason to be impressed in 1955. That means that when it comes to Brown's CDs, excellent doesn't necessarily mean essential. Recorded in 1953, the material on this 18-track CD isn't quite as essential as some of Brown's work with drummer Max Roach in 1954 and 1955, but is still superb. The trumpet icon is heard at two different sessions -- one with saxmen Gigi Gryce and Charlie Rouse, pianist John Lewis, bassist Percy Heath, and drummer Art Blakey, the other with Heath, alto saxman Lou Donaldson, pianist Elmo Hope, and drummer Philly Joe Jones (who in 1953 was two years away from joining Miles Davis' quintet). Brown's solos are consistently expressive; he swings unapologetically hard on up-tempo fare like "Carvin' the Rock," "Cherokee," and Quincy Jones' "Wail Bait," but is quite lyrical on the ballads "You Go to My Head" and "Easy Living." One thing all of the performances have in common is a strong Fats Navarro influence; Navarro was Brown's primary influence, although Brown became quite distinctive himself at an early age. Casual listeners would be better off starting out with some of Brown's recordings with Max Roach; nonetheless, seasoned fans will find that this CD is a treasure chest.
~ Alex Henderson, All Music Guide
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