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Bill Chase group Music » Jazz » Fusion » Jazz-Rock
Hej guys I,m looks Bill Chase jazz group. If somebody have this fantastic albums please upload asap! Thanks in advance!
1970: Billy Butler - Yesterday, Today And Tomorrow Music » Soul » Soul-Jazz
1970: Billy Butler - Yesterday, Today And Tomorrow
Artist: Billy Butler
Album: Yesterday, Today And Tomorrow
Label: Prestige Records (Catalog#: PR 7797)
Released: 1970
Format: FLAC, LP-Rip
Time: 32:29
Size: 199MB


Yesterday, Today & Tomorrow is the 3rd album led by guitarist Billy Butler released on the Prestige label.

This album is a continuation of display of ability and versatility presented in his first Prestige albums: This is Billy Butler! (Prestige 7622) and Guitar Soul! (Prestige 7734). This goes a bit further than the others in that it presents some music written and arranged by Billy for a guitar choir as well as some cooking things and standards he is known for. Most of the album reunites Billy with Ernie Hayes and Houston Person who were a part of his debut album for Prestige. Jimmy Lewis is no stranger to Billy since they worked together with King Curtis for some time. I think that once you have listened to the latest effort of Billy Butler you'll agree that it is every bit as good as his other two albums. If you are unfamiliar with him up to this point, welcome aboard! ~ Extract from Liner Notes by Sonny Mann.
1978: Count Basie & Oscar Peterson - Yessir, That's My Baby Swing, Basie Count
1978: Count Basie & Oscar Peterson - Yessir, That's My Baby
Artists - Count Basie and Oscar Peterson.
Album - Yessir, That's My Baby
Label - Pablo
Year - 1978, release - 1986
Quality - MP3@320kb/s
Size - 98,4
Total time - 43:50

REPOST with a new link from 1197sc

From the same week that resulted in Night Rider and Timekeepers, this is the fifth album that documents the matchup of Count Basie and Oscar Peterson. The two pianists (backed by bassist John Heard and drummer Louis Bellson) play five standards and three blues with predictable swing, finding much more in common with each other than one might have originally suspected.

~ Scott Yanow, All Music Guide

1-, 2-, 3- 4- Jazz Blues Club:
Count Basie Encounters Oscar Peterson;
Satch And Josh... Again;
Night Rider;
Count Basie Meets Oscar Peterson.
1975: Harry ''Sweets'' Edison - Just Friends Music » Jazz » Mainstream
1975: Harry ''Sweets'' Edison - Just Friends
Artist: Harry "Sweets" Edison
Album: Just Friends
Label: Black & Blue
Year: 1975
Format, bitrate: mp3@320kbps
Time: 47:22
Size: 109 Mb
AMG rating: 1975: Harry ''Sweets'' Edison - Just Friends

Trumpeter Harry "Sweets" Edison's first recording as a leader in a decade was this obscure LP from the French Black and Blue label, preceding his first Pablo album by a year. Teamed up with tenor saxophonist Eddie "Lockjaw" Davis (all of their joint recordings are easily recommended), pianist Gerry Wiggins, bassist Major Holley and drummer Oliver Jackson, Sweets performs five veteran standards (including "Sunday" and "There Is No Greater Love") and a couple of basic originals based on other tunes. The English "translation" of the French liner notes is pretty erratic but the playing by the quintet is consistently enjoyable.
~ Scott Yanow, All Music Guide.
1996: Dave Stryker - Blue To The Bone IV Music » Jazz » BeBop » Post-bop

 1996: Dave Stryker - Blue To The Bone IV
Artist: Dave Stryker
Album: Blue To The Bone IV
Year: 1996; Release: 2013
Label: SteepleChase
Format: mp3 320 Kps
Total Time: 62:14
Total Size: 135 Mb


Whether youve heard guitarist Dave Stryker leading his own group (with 24 CDs as a leader to date), co-leading The Stryker/Slagle Band, or as a featured sideman with Stanley Turrentine, Jack McDuff, and many others, you know why the Village Voice calls him one of the most distinctive guitarists to come along in recent years. Dave made the 2012 Downbeat Critics Poll once again this year and his new CD is called Blue to the Bone IV (SteepleChase Music).One of the most joyous feels around ~ Pat Metheny

1995: Kenny Garrett - Triology Music » Jazz » BeBop » Post-bop
1995: Kenny Garrett - Triology
Artist: Kenny Garrett
Album: Triology
Year: 1995
Label: Warner Bros.
Quality: mp3/320 kbps
Size: 138,63 MB
Time: 57:05

Kenny Garrett is among the most fervent, committed young voices to emerge on the alto saxophone. As a creative improviser and solo voice, he ranks right up there with those originals seeking to extend on the alto's proud history in the post-Coltrane era. His playing also compares favorably with the classic work of older masters.

But then Garrett is already a youthful veteran, with distinguished pedigrees in the Duke Ellington Orchestra, Art Blakey's Jazz Messengers and Miles Davis' final working groups. Garrett's last Warner Bros. release, BLACK HOPE, presented him in varied programmatic settings--from heady jazz-funk to hard bopping blues. TRIOLOGY exposes him as never before, in a revealing trio setting with the swinging young drummer Brian Blades and bassist Kiyoshi Kitagawa.

The trio format forces the enterprising saxophonist to create all the harmonic and melodic tension by himself. And with his tart throaty tone, cutting attack, bluesy contours and harmonic fluidity, Garrett is more than able to sustain interest. On "Delfeayo's Dilemma," "Pressing The Issue" and "What Is This Thing Called Love?" he rises to the challenge of thorny chord changes and breakneck tempos with tremendous rhythmic intensity and lyric wit. Garrett is also a convincing ballad player, as his tender reading of "A Time For Love" and his little soft shoe through "In Your Own Sweet Way" demonstrate. His tone at times suggests the brawny alto work of Julius Hemphill and Jackie McLean, yet Garrett's main influences seem to be tenor men such as John Coltrane and Wayne Shorter, whom he honors with a driving "Giant Steps" and a sanctified "Wayne's Thang."
~ The unknown Person, All Music Guide.
1960: Joe Venuti - Plays Gershwin Dixieland, Classic Jazz, Swing

1960: Joe Venuti - Plays Gershwin
Artist:Joe Venuti
Album: Plays Gershwin
Label: Golden Crest
Year: 1960
Format, bitrate: Mp3, 320 Kbps (LP-rip)
Time: 35:00
Size: 82 MB

Joe Venuti was the first great violinist of Jazz. The music he made with Eddie Lang would later be a major influence on Django Reinhardt and Stephane Grappelli in France. He was born aboard a ship as his parents emigrated from Italy and trained to be a classical violinist from an early age. He met Eddie Lang in 1913 while attending school in Philadelphia and started a local group with him three years later. The two would go on to play and record with each other frequently up until Lang's death in 1933. Venuti played briefly with Red Nichols, toured with Jean Goldkette and played in the orchestra of many Broadway shows. He co-led a band with Eddie Lang off and on through most of the 1920's, that included Jimmy Dorsey, Red Nichols and Frank Signorelli of the Original Dixieland Jass Band. In 1929 he joined the Paul Whiteman Orchestra but was injured in an auto accident; he was able to re-join the band in 1930. Venuti was able to keep working as a musician the rest of his life. He enjoyed a resurgence of interest in the 1970s.
1972: Bill Chase - Ennea Fusion, Jazz-Rock
1972: Bill Chase - Ennea
Artists: Bill Chase
Album: Ennea
Label: Epic
Year: 1972
Format, bitrate: mp3@320kbps
Time: 41:38
Size: 89,15 Mb

Chase's second album appeared with high expectations, from within and without -- and high ambitions as well -- so it's ironic that Ennea fell so far short in critical reception and sales. There had been some personnel changes during the recording, although the group's core sound, anchored by bassist Dennis Johnson, was as solid as ever and right where it needed to be. And lots of virtuoso playing could be heard everywhere. What was lacking was balance -- the rock and jazz elements that seemed so finely tuned together on the first album don't coexist as easily on this album, and the move into more of a progressive rock mode, especially on the songs from the original LP's second side, add a third element that never seems in sync with the more traditional rock elements elsewhere on this album. It's still impressive on a technical level -- a lot of those present could have used their work here to open doors for other gigs -- but it doesn't seem like a coherent whole, so much as getting a long-player out because one was needed. And perhaps that's the fairest comment one can make, that Ennea is a snapshot of a band in transition (and which was soon to break up under financial pressures). The album was seriously over-pressed by Columbia, which had high expectations of matching the group's self-titled debut album; instead, copies languished by the thousands in rack-jobber bargain bins well into the late '70s, which did nothing to enhance its reputation. Ennea still has lots of good moments and some great ones -- greater, at times, that anything on the first album if nowhere near as appealing and concise overall -- and is still worth hearing. ~ Bruce Eder, All Music Guide.
1965: Ahmad Jamal - Extensions Music » Jazz » BeBop » Post-bop
1965: Ahmad Jamal - Extensions
Artist: Ahmad Jamal
Album: Extensions
Label: Argo Records
Release: 1965
Format, bitrate: Mp3, 320 kBit/s (Lp-rip)
Time: 34:34
Size: 79.2 MB

The reason I prefer and choose to dig deeper in Ahmad Jamal's discography over Cecil Taylor isn't that I now understand jazz more than a few years ago. Unfortunately my tastes in music over the years is not maturing but just ageing. As in real life I'm not getting any wiser just older.

Anyway I've long wanted to review an album by Miles favorite pianist as a thank you of sorts for countless hours of listening plesasure originating from dozens of nevermentioned jazz gems. But I wanted to wait until I came across a album that felt like something of a complete masterpiece. Well, except for his classic But Not for Me: Ahmad Jamal Trio at the Pershing and the widely acclaimed The Awakening that I've had for years.

As with most of Ahmed's albums this is also a piano trio but to my knowledge everything here sounds larger, broader and deeper than everything he had previously released. Its less intimate as in less cozy and more up front and insisting. "Intimate" is such a compliment but while listening to many of these precious intimate albums I've often thought the term "background" would be more fitting.

Just by looking at the cover and the titles of the four longish tracks I had a feeling this was going to be something special. First time I heard the (self penned) title track it sounded so sensationally fresh yet somewhat familiar. I later found out why as I already knew an excellent live version of it on Outertimeinnerspace. Surprisingly the studio version's got a looser groove and Jamil Nasser's 1965 double bass sound is extemely present and more to my taste the 1972 electric bass-version. That said I gladly listen to all 32 minutes of both in one go. As I'm soon about to enter middle age I need my daily handful of soothing, short and sweet standards too so I'm not really complaining, but I do wish Ahmad allowed himself and his musicians to stretch out more often. I don't know maybe he wanted to but the record company didn't allow him.

John Handy's "Dance to the Lady" ends the A-side with a lovable nordic folk tune-sounding theme. The second side opens with the albums highlight (on an album containing nothing but). "This Terrible Planet"'s got this hypnotic, addictive rhytmic drive not unlike the endless groove that makes Olé Coltrane such an out of body experience. Finally an an energic version of the standard "Whisper Not" is a flawless end to the album but as great as it is, its the least surprising seven minutes of the album.

As I've said this album stands out and stretches out but its still an Ahmad Jamal-record which still means that more than anything Extensions is 35 minutes of timeless beauty.
~ Moahaha, Rateyourmusic.com
1978: Count Basie & Oscar Peterson - Night Rider Swing, Basie Count
1978: Count Basie & Oscar Peterson - Night Rider
Artists - Count Basie & Oscar Peterson
Album - Night Rider
Label - OJC/ Pablo
Year - 1978, release - 1992
Quality - MP3@320 kb/s
Size - 89,6 mb
Total time - 40:00

Repost with a new link from 1197sc

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3- , !

1- 2- Jazz Blues Club: Count Basie Encounters Oscar Peterson, Satch And Josh... Again
1957: Tommy Flanagan/John Coltrane/Kenny Burrell - The Cats Music » Jazz » BeBop » Hard-bop
1957: Tommy Flanagan/John Coltrane/Kenny Burrell  - The Cats
Artists: Tommy Flanagan / John Coltrane / Kenny Burrell
Album: The Cats
Label: Original Jazz Classics
Year: 1957
Format, bitrate: Mp3, 320 kBit/s
Time: 42:14
Size: 103 Mb
AMG Rating: 1957: Tommy Flanagan/John Coltrane/Kenny Burrell  - The Cats

1957: Tommy Flanagan/John Coltrane/Kenny Burrell  - The Cats
In 1957, the greatest year for recorded music including modern jazz, Detroit was a hot spot, a centerpiece to many hometown heroes as well as short-term residents like John Coltrane and Miles Davis. It was here that Trane connected with pianist Tommy Flanagan, subsequently headed for the East Coast, and recorded this seminal hard bop album. In tow were fellow Detroiters -- drummer Louis Hayes, bassist Doug Watkins, and guitarist Kenny Burrell, with the fine trumpeter from modern big bands Idrees Sulieman as the sixth wheel. From the opening number, the classic "Minor Mishap," you realize something special is happening. Flanagan is energized, playing bright and joyous melody lines, comping and soloing like the blossoming artist he was. Coltrane is effervescent and inspired, hot off the presses from the Miles Davis Quintet and searching for more expressionism. The other hard bop originals, "Eclypso" and "Solacium," easily burn with a cool flame not readily associated with East Coast jazz. Flanagan himself is the catalyst more than the horns -- dig his soaring, animated solo on "Eclypso" as he quotes "Jeepers Creepers." The near 12-minute blues "Tommy's Tune" is the perfect vehicle for Burrell, a prelude for his classics of the same period "All Day Long" and "All Night Long." The lone trio session, on the standard "How Long Has This Been Going On?," is regarded as quintessential Flanagan, and quite indicative of the Midwestern Motor City flavor Flanagan and his many peers brought into the mainstream jazz of the day and beyond. One yearns for alternate takes of this session. The Cats is a prelude to much more music from all of these masters that would come within a very short time period thereafter, and cannot come more highly recommended. It's a must-buy for the ages.
~ Michael G. Nastos, All Music Guide.
1981: Zoot Sims - Recorded Live At E.J.'s - Atlanta, GA Music » Jazz » Mainstream
1981: Zoot Sims - Recorded Live At E.J.'s - Atlanta, GA
Artist: Zoot Sims
Album: Recorded Live At E.J.'s - Atlanta, GA
Label: Storyville
Year: 1981, Release Date 2003
Format, bitrate: mp3@320kbps
Time: 68:45
Size: 152,61 Mb

Maturity suited Zoot nicely, and this recording explains how. After decades of consistently creative activity during which he followed his own path and maintained his individuality without ever abandoning the influence of his predecessors, the saxophonist sounded simply wonderful on this summer night in Georgia. Thank goodness someone was recording the proceedings! After opening his set with a gorgeous version of "That Old Devil Called Love," Zoot turns Yancey Korosi loose on the public with a very advanced rendering of Fats Waller's "Jitterbug Waltz." The recognizably familiar melody only appears during the last chorus. First the pianist tears up, playing all sorts of harmonic variations on the changes. Then Zoot enters quoting "When Yuba Plays the Rhumba on the Tuba." They gyrate together and by the time the piece ends the audience has obviously been goosed into a state of heightened receptivity. Anyone who has ever experienced a live club performance of real jazz will recognize this turning point in the program. It is very much what this kind of music is all about. Switching from tenor to soprano saxophone, Zoot sails into "Softly, As in a Morning Sunrise." Korosi is a marvelous improviser who interacts well with bassist Dewey Sampson and percussionist James Martin, while Zoot handles the soprano with striking facility. The rhythm section sets up a stimulating pace for "Over the Rainbow," enabling Zoot to move over the face of the tune at his own relaxed pace, expanding the song until it seems to tower over the rest of the city. Korosi's optimistic piano brings to mind Ron Burton's remarkable presence on Rahsaan Roland Kirk's 1973 album Bright Moments; in fact, the entire ambience of this live recording glows with something comparable to the vibe at Keystone Corner on the West Coast, back in the day. After 11 smoking minutes of "Rainbow," Zoot chooses a series of Ellington excursions: "In a Mellow Tone" rocks nicely, "I Got It Bad" breathes like a lotus, and "Caravan" serves as a wicked outing for soprano. The rest of the album teems with still more surprises, for Zoot brings on a second tenor saxophonist, Rick Bell, for a friendly triple finale. They jam with irresistible imaginative energy during "Groovin' High," "Take the 'A' Train," and "Lester Leaps In." It would be difficult to identify a more exciting example of Zoot Sims in action. Highly recommended for listeners of all persuasions. ~ arwulf arwulf, All Music Guide.
1990: Ricky Ford - Ebony Rhapsody Music » Jazz » BeBop » Post-bop

1990: Ricky Ford - Ebony Rhapsody
Artist: Ricky Ford
Album: Ebony Rhapsody
Label: Candid
Year: 1990
Quality: Bitrate: my rip >mp3-320
Size: 132,48 mb (with full scans)
Total Time: 56:11

Tenor-saxophonist Ricky Ford is in his usual swinging form on this live quartet date with pianist Jaki Byard, bassist Milt Hinton and drummer Ben Riley. Although Byard and Hinton are both adept at earlier styles of music, Ford mostly sticks to hard bop, with slight departures in a swinging version of "Ebony Rhapsody" and "Broadway." Ford contributed five originals for the set including "Independence Blues" and "Red, Crack And Blue." This date is easily recommended to fans of the distinctive tenor and those who enjoy modern hard bop.
~ Scott Yanow, All Music Guide
2013: Tigran Hamasyan - Shadow Theater Post-bop, Modern Jazz
2013: Tigran Hamasyan - Shadow Theater
Artist: Tigran Hamasyan
Album: Shadow Theater
Label: Emarcy
Year: 2013
Format, bitrate: Mp3, 320 kBit/s
Time: 56:46
Size: 129 MB

Although first moved as a child by the rock sounds of the giants -- Deep Purple, Led Zeppelin, the Beatles -- Tigran Hamasyan would focus his sights musically on jazz, becoming an adept (child prodigy, if you will) piano player in the style. Born in 1987 in Gyumri, Hamasyan was Armenian by descent, but had jazz in his soul. Moved by the sounds of Thelonious Monk, Charlie Parker, Art Tatum, and Miles Davis (just a few of jazz's giants) Hamasyan found himself as part of the festivities at the 2nd Yerevan Jazz Festival in 2000. He would go on just a few years later to win a number of contests, one of which was at the 2003 Montreux Jazz Festival. His most recent release, recorded with his band Aratta Rebirth and entitled Red Hail, hit stores in February of 2009.
~ Chris True, All Music Guide
1992: Vincent Herring - Dawnbird Music » Jazz » BeBop » Post-bop
1992: Vincent Herring - Dawnbird
Artist: Vincent Herring
Album: Dawnbird
Label: Landmark-1533
Year: October 31, 1991 - February 7, 1992
Format, bitrate: Mp3, 320 kBit/s
Time: 58:04
Size: 135.47 MB (full scans)
AMG Rating: 1992: Vincent Herring - Dawnbird

Alto saxophonist Vince Herring has steadily developed his own tart, bluesy sound, emerging from the shadow of prime influence Cannonball Adderley. There is more spark, ambition and drive in his playing on this release than any previous date; he tries new things on each number and isn't afraid to stretch out. He is working with two bands and is consistently excellent with both units, and his sparkling sound overcomes the difference in quality between groups and makes this by far his best release.
~ Ron Wynn, All Music Guide
2003: Kenny Garrett - Standard Of Language Music » Jazz » BeBop » Post-bop
2003: Kenny Garrett - Standard Of Language
Artists: Kenny Garrett
Album: Standard Of Language
Year: March 11, 2003
Label: Warner Bros.
Quality: MP3/320 kbps
Size: 182,69 mb
Time: 58:11
AMG Rating: 2003: Kenny Garrett - Standard Of Language

While his alto saxophone playing has drawn comparisons to Charlie Parker and his soprano sax style to the great John Coltrane, Kenny Garrett's actual musical voice has been described as intense, straight-ahead swing- and funk-flavored hard bop and free jazz. On Standard of Language, the multi-Grammy nominee brings a muscular yet lyrical eloquence to nine songs -- five of which were recorded during Garrett's September 11, 2001, recording sessions, but never released as intended on Happy People because of day's tragic circumstances.
Kenny Garrett stretches his musical standard with such great jazz luminaries as Chris Dave, an awesome drummer who has been compared to Tony Williams; Charnett Moffett (also a veteran of Tony Williams' band) on acoustic bass, more recently associated with McCoy Tyner and Ornette Coleman; and pianist Vernell Brown, a veteran from the free jazz school.
Garrett blows your mind with the protean swing of "XYZ," featuring freestyle blowing that literally rules this esoteric yet melodic recording. Additionally, Moffett offers an awesome bowing technique on his acoustic bass solo that defies gravity, while Dave and Brown offer their stylistic contrast and swing like there's no tomorrow; in jazz terminology, they're burning. The program ends with the epic three-part title track and for over 11 minutes Garrett mesmerizes listeners with his implementation of Coleman's "harmolodic" musical theory, Coltrane-like "sheets of sound," and a circular breathing technique that is unbelievable. Of his eight recordings for Warner Bros., Standard of Language is by far Kenny Garrett's greatest.
~ Paula Edelstein, All Music Guide.
1990: Michel Sardaby - Night Blossom Hard-bop, Post-bop
1990: Michel Sardaby - Night Blossom
Artist: Michel Sardaby
Album: Night Blossom
Label: DIW
Year: 1990; release: 2002
Quality: Bitrate: my cd >mp3-320
Size: 136 mb (with full scans)
Total Time: 56:09


A rare and delightful surprise a beautiful and in-the-groove trio album by a rarely recorded French pianist. This album swings in a lovely and relaxed fashion from start to finish with the leader's diverse originals and interpretations of standards: For All We Know, Falling In Love With Love by Rodgers And Hart, and Duke Ellington's Single Petal Of A Rose.
1957/1959: Marty Paich - The Broadway Bit/A Jazz Band Ball Music » Jazz » Big Band
 1957/1959: Marty Paich - The Broadway Bit/A Jazz Band Ball
Artist: Marty Paich
Album: The Broadway Bit/A Jazz Band Ball 2LPs/1CD
Label: DreamCovers Records
Years: 1957/1959; release: 2014
Quality: MP3@320 kbps
Size: 162 mb
Total time: 69:46

Special edition mini LP cover CD issued in a facsimile of the original LP sleeve. During the 1950s, Paich was active in the West Coast as a jazz player and also worked intensively in the studios. The Broadway Bit was taped in January 1959 (the exact recording date or dates is/are unknown), four years after Paich began recording under his own name. He not only played on, but arranged and produced numerous West Coast jazz recordings, including albums by Ray Brown, Ella Fitzgerald, Terry Gibbs, Stan Kenton, Shelly Manne, Dave Pell, Anita O'Day, Art Pepper (one of the main soloists on The Broadway Bit), and Mel Tormé, among others.
In this soundful set arranger Marty Paich swings Broadway's best, playing extended modern stylings of choice tunes from some great musicals. Recorded in 1959 with a top-class 11 piece band which included Art Pepper, Jimmy Guiffre and others.

1959: Doc Evans - The Sweetest Since Gabriel Traditional Jazz, Dixieland
1959: Doc Evans - The Sweetest Since Gabriel
Artist: Doc Evans
Album: The Sweetest Since Gabriel
Label: Audiophile AP-57
Year: 1959
Format, bitrate: Mp3, 320 kBit/s
Time: 38:40
Size: 88.6 MB
AMG rating: 1959: Doc Evans - The Sweetest Since Gabriel

This album was a change of pace in Doc Evans' career, for the Dixieland-oriented cornetist is the only horn in a quintet, playing primarily swing standards. Evans, an underrated but talented player, improvises in a melodic and pleasing fashion on such tunes as "After You've Gone," "Don't Take Your Love From Me," "You're the Cream in My Coffee," and "Cherry." He is in a mellow mood throughout (even when the tempos are a little faster) and the four-piece rhythm section (which includes pianist Knocky Parker) is supportive and lightly swinging. A delight.
~ Scott Yanow, All Music Guide
1967: Johnny "Hammond" Smith - Love Potion #9 Music » Soul » Soul-Jazz
1967: Johnny "Hammond" Smith - Love Potion #9
Artist: Johnny "Hammond" Smith
Album: Love Potion #9
Label: Prestige Records (Catalog#: PR 7482)
Released: 1967
Format: FLAC, LP-Rip
Time: 29:45
Size: 182MB


A fairly typical mid-'60s soul-jazz effort by Johnny "Hammond" Smith. This LP (not yet reissued on CD) features Smith performing several current pop tunes -- including "A Taste of Honey," "The Impossible Dream," "Sunny," and "The Shadow of Your Smile" -- while letting his quintet (which also includes trumpeter Virgil Jones, tenor saxophonist Gene Walker, guitarist Eddie Diehl, and drummer John Harris) stretch out on "Blues on Sunday" and "Up Comes Monday." Since there is less than half-an-hour of music here and nothing unexpected occurs, this is just an average outing, although it should please jazz organ fans. ~ by Scott Yanow, AMG.

This LP has been overlooked and seriously underrated as one of Smiths better works. Regardless of its size it is well worth spinning a few times. Ripped from a well-loved vinyl, some areas suffer a few sound artifacts, but as a love potion itll do me. Enjoy!
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